The best views are most often from above because we rarely have the time to look up particularly in a busy place like the Stephansplatz in Vienna, Austria.
Does this sound familiar to you?
We’ve known each other for years. Hs’s an avid motorbike rider and also loves to garden. He loves to travel, preferring places off the beaten track. I’ve watched him as he moved to another country, get a job, get married and have children. I’ve seen his two daughters grow up, witnessed their parties and looked at their vacation pictures. I know his friends, know the name of his wife, and his dog. I know where he works and his opinion on key issues. On any day of the week, I can tell you where he is and who he’s with. I even know what he’s having for breakfast, lunch and dinner. Fact is, I know most everything about him.
But we’ve never met. He is @Detlef, my social media friend.
@Detlef and I share something in common. We’re both netizens – a term now mostly used to describe people who are avid users of the internet. Our online friendship started by chance some 10 years ago, when @Detlef (not his real handle) first commented on a photo I had uploaded on my new Flickr account. Like any good netizen, I visited his photostream in return and favorited/commented on a couple of his photos that I found interesting. So began a steady stream of interaction that – through the years – spread through other social media channels. When I opened a Twitter account, @Detlef was the first of my followers and when @Detlef moved over to Facebook, I also became one of his first “friends”. This pattern of follow-for-follow behaviour continued over to Tumblr, Foursquare, Instagram, LinkedIn, Google +, YouTube, Vimeo and other social communities.
What made it even easier is the common algorithm used by most social media channels to “invite” existing contacts whenever you join. This ensures that friends follow you from one channel to the next one and the next one and the next one until your online lives are as intertwined as a plate of spaghetti.
So as more of our online activities intertwine, it is no wonder then that @Detlef and I almost feel like — as expressed in today’s lingo — we’re best friends forever or BFFs!. I say almost because this relationship is not really real. We know as much as there is to know about the respective lives that we willingly share online. Yet is is ultimately a shallow sharing, devoid of emotional connection. It’s like watching a movie from a distance in thousand-pixel quality. The connection itself is momentary — punctuated by likes, comments and shares –which ends the moment we go offline.
Of course, I’m not discounting the possibility of online friendships blossoming into real-world ones. There are stories a-plenty of that happening, and anecdotes abound about love and friendship found (and lost) on social media. But lucky for me and @Detlef, our online presence is not the totality of our entire lives. As far as I’m are concerned, our online friendship is fine just the way it is at the moment.
The other side of the coin
It can also work the other way around. Real friendships can also turn into online friendships for various reasons. An increasingly mobile lifestyle equates to people moving around more often and further distances. A friend or family member can suddenly relocate to another country or get a job in a different state. Entire families might transfer residence, moving to where the standard and quality of life is better and where there are brighter prospects for growth, prosperity and happiness.
Which leads me to the raison d’etre of this article’s title.
Two years ago, a work colleague moved to another job, in the process totally changing career direction. Though way much younger than me, we had become friends through the years, mainly because of our shared interest in blogging and social media trends. Moving to another country and frequent out-of-town assignment meant that we steadily lost personal contact. Through status updates, picture postings, comments, we nevertheless managed to stay abreast of what each of us was up to. But this, too, slowly dwindled in the coming months.
Then about a year later, a random comment thread in Facebook somehow concluded in a mutual decision to “let’s meet again and catch up”. So we did and spent a weekend lunch reminiscing about the “good old days” and the usual “by-the-way-what-happened-to-you-know-who” type of conversation. Two hours later, it was time to go.
Probably realizing how our lives have taken such diverse paths, there was no mention of a next meeting as we prepared to part ways. But the question must have been in my eyes because just before leaving she said:
“Hey, @beecue. I’ll follow you in every ‘gram!”
And indeed we are now connected in all the major social media channels, the latest being Snapchat.
Thus begins another social media relationship…
About the Picture
The picture above is a screenshot from the Instagram account of Murad Osmann, who together with his girlfriend, Nataly Zakharova (@yourleo), have become Instagram celebrities for their photograph series that shows her pulling him into various famous landmarks all over the world. With over 2.4 million followers, they have been featured in several internet trade magazines and dailies.
At one time forests dominated Earth’s landmass. Today, less than half of forests remain. Deforestation is a real issue affecting not only our environment, but our survival as a species. See the project at http://mediastorm.com/clients/guardians-of-the-forest-for-gef
Motion graphics – animation-heavy video production – is currently taking centre stage at MediaStorm.
Long a recognised name in visual story-telling, the multi-awarded, New York-based production company is showcasing an animated short, “Guardians of the Forest” on its web site.
Commissioned by the Global Environment Facility (GEF), the 3-minute video aims to “convey the multifaceted issue of sustainable forest management and to reach people on an accessible level and get forests into daily conversation. Its goal is to bring home the message that “forests fulfill a diverse range of functions; they include some of the world’s most biodiverse habitats and they are disappearing at an alarming rate.”
One of the more fascinating Ted Talk I’ve heard/seen recently, which touches on a question I always ask myself whenever I go back home to the Philippines: “Why do we build concrete blocks for houses when there are other natural alternatives?”
Elora Hardy and her team are building bamboo houses in Bali, Indonesia that are sturdy, innovative and aesthetically pleasing to look at. In so doing, they have revived an ancient tradition of building using material that will grow back.
Listen to Elora Hardy’s talk and be inspired.
Released last Christmas, the 38-minute short film ANOMALY, continues to create waves among independent film-makers and as regarded as THE model to follow. The short film produced by Jens Jacob of Sypher Film, is a Nativity story centred around the modern, intertwined lives of the characters during an astrononmical event.
However what makes ANOMALY intriguing is more than just the story but how it was produced and distributed. Financed largely from a 60K Kickstarter campaign, it nevertheless delivers superb cinematography and effects on par with million-dollar productions. And everyone can watch it for free on Vimeo. The producers have opted to admirably offer it online for free rather than go the film festival route.
Watch it and enjoy.
As I write, this photograph is currently enjoying “Popular” status in 500px, a sharing website for serious photography buffs.
I have always held 500px (short for 500 pixels) in high regard, considering it to be the photography playground where the “big guys” play. The site’s interface is so beautiful that it just naturally puts your photos in the best light possible. Great photography is at the very core of 500px and it is quite humbling to see the talent and creativity on display by its avid community of aspiring, as well as professional, photographers. It’s trademark “Pulse” ratings is a godsend for the not-so-popular members, giving us equal chance to have any of our photographs rise to the top. Provided they are of good quality, of course.
This is how it works.
When you upload a photo on 500px, a “Pulse” is generated from the number of Likes, Favorites, Views and Comments which it receives from other photographers. The score is on a scale of 0-100, calculated by 500px. Your photo moves from “Fresh” category to “Upcoming” category, once the Pulse score reaches 70. If the photograph is really good and the Pulse score rises closer to 90, it gets promoted to “Popular.” If that photo stays under the “Popular” category for a number of days, then it could end up on “Editor’s Choice” category. It is this algorithm that gives every photographer the opportunity to to get photo on the front page, irregardless of his/her popularity.
It was therefore a pleasant surprise to have this image get a Pulse rating of over 90, just the sixth of all my uploads to have reached this status so far. What is even more surprising is that this photograph is from a batch of pictures taken way back in 2006, with a Canon 10d that now sits dejected in a cupboard in my basement. I recently found this collection – and many others – as I was moving and consolidating files from separate external hard drives into one huge backup drive with over 12 terrabytes of space available.
I will spend some time going through these old files in the coming days. One thing seems to be obvious though: there are still many “gems” in those drives, long-forgotten and largely ignored. If truth be said, it appears that I seem to have taken better care with my photo composition and setup in those days. That was before the smartphone came and gave us all bad photo-taking habits.
I guess that means that – as far as this site is concerned – you’ll be seeing a lot of old images come to life again.
The very few who follow my Instagram account probably know that I am a long-time Snapseed user. I purchased my first copy in 2011 when the fledging photo editing app was still owned by Nik Software, shelling out some bucks for the desktop as well as mobile versions. I’ve not been disappointed so far.
There are filters a plenty within Snapseed. But I’m not really a fan of those filter-effects, preferring instead to present my pictures as they were taken, with a minimum of enhancements. So in Snapseed, my first stop is always the Tune Image button, where slider controls can increase/decrease brightness, contrast, saturation, ambiance, shadows and warmth.
Most often, using this function is enough to add the snap to an otherwise flat smartphone photo. Other basic adjustments include crop, straighten and details to add some sharpness to the image. Creative adjustments include Black and White, Center Focus, Drama, Frames, Grunge, Vintage and Tilt-shift. Among these, the ones I find myself using often are Frames – to add a stylish border to the image – and center focus, to add a bit of vignette, blur the background and define areas of focus.
In 2012, Google acquired Nik software and its suite of photo editing/enhancement apps including SilverEfex Pro, Dfine, Color Efex Pro, etc., as well as Snapseed. Initially this meant that the desktop version of the app was discontinued, replaced by a Web version that you can only use if you had a Google+ account. However, the App for iPhones and iPads continued to be available, and this time as free downloads. Additional functionalities were also added to the mobile versions like Selective Adjust, HDR Scape and Retrolux. Below is a snapshot of the iPad version.
I’ve tried other photo apps since then, for example Apple’s own iPhoto, Pixelmator, which is pretty decent in itself, Darkroom, and B&W for converting photos to black and white. However, I’ve always gravitated back to Snapseed as my photo app of choice, even though it had never had a major update since 2012.
Getting into the MIX
Design your own photo filter. With that slogan, MIX entered the do-it-yourself photo app scene, promising endless possibilities to “filterize” your images.Exotic-sounding filters like Eagle, Gum, Orion, Lagoon, Carina, etc, can turn otherwise normal snapshots into surreal, out-of-this-world creations. However, underneath all these flamboyance are some really powerful picture editing tools.
The dSLR-like bokeh effects in the Aperture function provides a much welcome touch to the otherwise infinity-focus setting of smartphone pictures and can produce amazing results. Advanced, selective colour adjustment is also a great tool, making it easy to create coloured pictures on mono background (or vice versa) as in the example below. (Click on the picture for a larger version.)
Perhaps another nifty effect in MIX is the ability to turn day into night. Before and after versions of a monk at the ruins of the Faces Temple in Siem Reap, Cambodia, taken on an iPad, follow below:
Snapseed Version 2
Then to make matters more interesting, Google finally gave Snapseed a major makeover in April 2015. With the facelift, it feels almost like a totally new photo editing app, replete with non-destructive, layer-based editing found only in expensive desktop applications.
However, I do miss the direct connection to Instagram under the Share or Open In… menus. Now to post photos to Instagram you have to save first to your Photos and then open in Instagram the old-fashioned way. The new Snapseed is still a free download on the App Store or Google Play, but you need to have the latest versions of IOS or Android operating systems. If you take a lot of photos with our smartphone and want those photos to stand out more, it is definitely worth a try.
Happy photo shooting… and editing.
(A very special thanks to Iulia who kindly agreed to have me use photos of her to illustrate this article – you can see more of her as @thecuteberry.)
A boy rides a bike along a riverbank leading to Tonie Sap Lake in Siem Reap, Cambodia. Tonie Sap is a combined lake and river system whose flow changes twice a year. The lake itself expands and shrinks by four times its size with the changing seasons. In the dry season, lake p drains into the Mekong River at Phnom Penh. And when the monsoon rains begin in June, the Tonle Sap grows from approximately of 2,700 square km to 16,000 square km ! This provides a perfect breeding ground for fish and birds, and is one of the many reasons why the Tonle Sap Lake has been designated a UNESCO Biosphere.
The local population has also adapted to the unique ecology of the lake with floating villages and stilted houses; these floating villages move to accommodate the rise and fall of the tides.
The ruins of Ta Phrom temple in Siem Reap is one of the most visited temple ruins in Cambodia, perhaps second only to the world-renowned Angkor Wat. Ta Phrom was the scene of many blockbuster, action-adventure films Including Lara Croft and the Raiders of the Lost Ark. Its fascination comes from the giant roots that have entwined themselves to the temple ruins so much so that tree and temple ruin almost become one.
I usually spend most of my online time outside of my personal web site, when I should actually be doing the opposite. Then, as in today, my guilty conscience kicks in and I am prompted to do anything — write a blog post, upload a picture or shoot video — so as to have something new on the site.
So this time I’ll write something about my most recent Internet presence or, more aptly put, the most current web site cum application that’s been occupying most of my time lately.
It’s called Exposure.
Exposure calls itself a community product; “a place for photographers and storytellers to post their work in a beautiful narrative format” (quotes from their web site). It provides a web platform where fledging amateurs like me can display their photos in the best light possible, by combining pictures, words and videos to tell a story. Inside Exposure what would have been just a normal photo gallery becomes a photo narrative, a visually compelling story and all in the highest quality possible. One more reason to buy that newest Mac with retina display, if you ask me.
A free account entitles you create 3 photo stories with most functionalities included. Once you’ve reached that limit — and have been bitten by the exposure bug — in the process, it is easy enough to upgrade to either a plus or a pro plan, for 49 and 99 US$ per year, respectively. Monthly plans are also available. The paid plans come with extra frills like analytics, more profile layouts, use of own domain names, password protection, etc.
I’ve created about 6 narratives (one of them private) since January already, mostly travelogues, and am now preparing material for another on my recent trip to Siem Reap, Cambodia and the temple ruins of Angkor Wat.
But like updates to this web site, this is slow in coming. Maybe now that I’ve started working on my creative side again, this will start coming in easy.